Germany vs France

Political cinema in the narrow sense of the term is a cinema which portrays current or historical events or social conditions in a partisan way in order to inform or to agitate the spectator.[citation needed] Political cinema exists in different forms such as documentaries, feature films, or even animated and experimental films

Digital Escape-room

An escape room is a physical adventure game in which players solve a series of puzzles using clues, hints and strategy to complete the objectives at hand. Players are given a set time limit to unveil the secret plot which is hidden within the rooms.
English novelist E. M. Forster described plot as the cause-and-effect relationship between events in a story. According to Forster, "The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot."

Paper film

As its name implied the film was made of paper (which was a stable material, unlike cellulose nitrate film), on which images were offset printed. The film had a width of 28mm which, thanks to being perforated in the middle, resulted in roughly the same picture area as with 35mm film. It was projected, not with transmitted (diascopic), but with reflected (episcopic) light. Thus film width, perforation, and illumination system all meant that only film made for this contraption could be projected. Even if REFCY projectors were “not that expensive toys” (Sugimoto[1990], 256), this would seem to have been a disadvantage.

South Pole Expedition

Roald Engelbregt Gravning Amundsen was a Norwegian explorer of polar regions. He led the Antarctic expedition of 1910–12 which was the first to reach the South Pole, on 14 December 1911. In 1926, he was the first expedition leader for the air expedition to the North Pole.

Amundsen is recognized as the first person, without dispute, as having reached both poles He is also known as having the first expedition to traverse the Northwest Passage (1903–06) in the Arctic.

In June 1928, while taking part in a rescue mission for the airship Italia, the plane he was in disappeared. Amundsen was a key expedition leader during the Heroic Age of Antarctic Exploration, in the class of Douglas Mawson, Robert Falcon Scott, and Ernest Shackleton.

 

Composition

 

In the visual arts, composition is the placement or arrangement of visual elements or ingredients in a work of art, as distinct from the subject. It can also be thought of as the organization of the elements of art according to the principles of art.

Guernica 80 years ago

The German bombers appeared in the skies over Guernica in the late afternoon of April 26, 1937 and immediately transformed the sleepy Spanish market town into an everlasting symbol of the atrocity of war. Unbeknownst to the residents of Guernica, they had been slated by their attackers to become guinea pigs in an experiment designed to determine just what it would take to bomb a city into oblivion. Spain was embroiled in a convulsive civil war that had begun in July 1936 when the right-wing Nationalists led by General Francisco Franco sought to overthrow Spain's left-wing Republican government. It did not take long before this bloody internal Spanish quarrel attracted the participation of forces beyond its borders - creating a lineup of opponents that foreshadowed the partnerships that would battle each other in World War II. Fascist Germany and Italy supported Franco while the Soviet Union backed the Republicans.

Krakau Poland

The history of cinema in Poland is almost as long as history of cinematography, and it has universal achievements, even though Polish movies tend to be less commercially available than movies from several other European nations.

After World War II, the communist government built an auteur based national cinema, trained hundreds of new directors and empowered them to make films. Filmmakers like Roman Polanski, Krzysztof Kieślowski, Agnieszka Holland, Andrzej Wajda, Andrzej Żuławski, Andrzej Munk, and Jerzy Skolimowski impacted the development of Polish filmmaking. In more recent years, the industry has been producer-led with finance being the key to a film being made, and with a large number of independent filmmakers of all genres, Polish productions tend to be more inspired by American film.

Human Rights

Human rights are moral principles or norms, which describe certain standards of human behaviour, and are regularly protected as legal rights in municipal and international law. They are commonly understood as inalienable fundamental rights "to which a person is inherently entitled simply because she or he is a human being," and which are "inherent in all human beings" regardless of their nation, location, language, religion, ethnic origin or any other status. They are applicable everywhere and at every time in the sense of being universal, and they are egalitarian in the sense of being the same for everyone.

The right to freedom of expression is recognised as a human right under Article 19 of the Universal Declaration of Human Rights and recognised in international human rights law in the International Covenant on Civil and Political Rights (ICCPR). Article 19 of the ICCPR states that "everyone shall have the right to hold opinions without interference" and "everyone shall have the right to freedom of expression; this right shall include freedom to seek, receive and impart information and ideas of all kinds, regardless of frontiers, either orally, in writing or in print, in the form of art, or through any other media of his choice".

En plein aire

Making movies is an art. For some time, the Art movies were considered the best form of art. But later filmmaking was transformed into a business. Commercialism overtook the Art films.

Today’s filmmakers do not make movies that promote Art; they rather make them for profit. They argue that they make what the audience likes. The standards of success have changed with time. I believe that the viewers are not that dumb. It is the production houses and the mindsets involved in the movie making business that is corrupting the consumers with commercialism. Moreover, the mafia that rules the cinema industry dictates the type of movies they want to exhibit. The audience does not count in this equation.

Ecomuseum of Alsace

You can teach yourself a lot about the mechanics of filmmaking by watching films. You’ll learn why filmmakers do things, and you’ll get an idea of what film can do. Like Quentin Tarantino said, “I didn’t go to film school, I went to films.”
But if you watch a two-hour feature all the way through, you’re probably talking about hundreds of separate shots. It’s overwhelming. So the best thing to do is go right back to the basics and look at a short sequence (one scene, or less – or a complete short film or TV ad) in detail. TV ads can be particularly useful as they fit a lot of storytelling into a short space of time.

Art Naif for everybody

An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse is a practitioner in the visual arts only. The term is often used in the entertainment business, especially in a business context, for musicians and other performers (less often for actors). "Artiste" (the French for artist) is a variant used in English only in this context. Use of the term to describe writers, for example, is valid, but less common, and mostly restricted to contexts like criticism.

A French Coiffeur

Creative Commons licenses provide an easy way to manage the copyright terms that attach automatically to all creative material under copyright. Our licenses allow that material to be shared and reused under terms that are flexible and legally sound. Creative Commons offers a core suite of six copyright licenses. Because there is no single "Creative Commons license," it is important to identify which of the six licenses you are applying to your material, which of the six licenses has been applied to material that you intend to use, and in both cases the specific version.

All of our licenses require that users provide attribution (BY) to the creator when the material is used and shared. Some licensors choose the BY license, which requires attribution to the creator as the only condition to reuse of the material. The other five licenses combine BY with one or more of three additional license elements: NonCommercial (NC), which prohibits commercial use of the material; NoDerivatives (ND), which prohibits the sharing of adaptations of the material; and ShareAlike (SA), which requires adaptations of the material be released under the same license.

Beautiful Eguisheim

In motion pictures the manipulation of time and space is a considerable contributing factor to the narrative storytelling tools. Film editing plays a much stronger role in this manipulation, but frame rate selection in the photography of the original action is also a contributing factor to altering time. For example, Charlie Chaplin's Modern Times was shot at "silent speed" (18 fps) but projected at "sound speed" (24 fps), which makes the slapstick action appear even more frenetic

Ballons & Vosges

The idea behind citizen journalism is that people without professional journalism training can use the tools of modern technology and the global distribution of the Internet to create, augment or fact-check media on their own or in collaboration with others. For example, you might write about a city council meeting on your blog or in an online forum. Or you could fact-check a newspaper article from the mainstream media and point out factual errors or bias on your blog. Or you might snap a digital photo of a newsworthy event happening in your town and post it online. Or you might videotape a similar event and post it on a site such as YouTube.

Romania farmers market

Adapted from: “When time loses patience”

Since the accession of Romania to the European Union, small-scale traditional agriculture and livestock has been under pressure due to industrialization and sharper EU-regulations.

In the small illegal markets of the Romanian countryside, farmers and traders who have not been able to participate in the welfare are trying to make some sales..

Andreea Dumitriu shows the desolate beauty of these places.

Alsace/Elsass in photo's

Images may be two-dimensional, such as a photograph or screen display, or three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water.

The word 'image' is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, or a painting. In this wider sense, images can also be rendered manually, such as by drawing, the art of painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods, especially in a pseudo-photograph

Strasbourg souvenirs

Non-narrative film is an aesthetic of film that does not narrate, or relate "an event, whether real or imaginary". The aesthetic strives to be nonrepresentational. Aesthetics of Film writes, "This is to say one would not recognize anything in the image and that temporal, sequential, or cause-and-effect relations could not be perceived between the shots or the elements of the image." Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not representational".
According to The Film Experience, non-narrative film is distinct from nonfiction film, though both forms may overlap in documentary films. The book writes, "A non-narrative film may be entirely or partly fictional; conversely, a nonfiction film can be constructed as a narrative.

 

Hotel de Dieu Beaune

The Hospices de Beaune or Hôtel-Dieu de Beaune is a former charitable almshouse in Beaune, France. It was founded in 1443 by Nicolas Rolin, chancellor of Burgundy, as a hospital for the poor. The original hospital building, the Hôtel-Dieu, one of the finest examples of French fifteenth-century architecture, is now a museum
The Hospices de Beaune consists of a pair of two-storied buildings arranged around a stone courtyard. The building wings are well-preserved today; they contain half-timber galleries and ornate rooftops with dormer windows. The hospital is arranged so that the wings served the office, kitchen and apothecary functions. The nuns and patients were housed nearer the chapel, towards the center of the complex

 

Theater on street

Street theatre is a form of theatrical performance and presentation in outdoor public spaces without a specific paying audience. These spaces can be anywhere, including shopping centres, car parks, recreational reserves and street corners. They are especially seen in outdoor spaces where there are large numbers of people. The actors who perform street theatre range from buskers to organised theatre companies or groups that want to experiment with performance spaces, or to promote their mainstream work.

Sometimes performers are commissioned, especially for street festivals, children's shows or parades, but more often street theatre performers are unpaid or gather some income through the dropping of a coin in a hat by the audience.

Easter in Alsace

Why Preserve Film?

Movies have documented America for more than one hundred years. Since Thomas Edison introduced the movie camera in 1893, amateur and professional filmmakers have used motion pictures to tell stories, record communities, explain the work of business and government, and illustrate current events. They captured, with the immediacy unique to the moving image, how generations of Americans have lived, worked, and dreamed. By preserving these films, we save a century of history.

Mulhouse citycenter

A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered as a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.

It is often mistakenly believed that filming "on location" takes place in the actual location in which its story is set, but this is not necessarily the case.

Riquewihr Alsace

  TransitionsIn film or video scene consists of a sequence of shots. Each shot is made from a different perspective and then they are joined together. The joining together of the individual shots to make a particular scene is accomplished through transitions.The transition may be from one camera angle to another camera angle or from one camera to another camera. When you do transitions as a CG animator you are fulfilling the role of the editor, whose task is to put together a set of individual shots into a scene. One technique that film editors use is to focus on a particular element that is consistent between shots. This can be a physical object or it can be a compositional element such as a motion, color, or direction.

Markets in Strasbourg

There are two things that, if added to a camera, will immediately reduce jitter – good old fashioned weight, and a lowered center of gravity. The quickest and probably the most readily available method you can use to get both of these things is to attach your camera to a tripod, and then fold up the legs.
A tripod is great for side-to-side pans and up-down tilts. But if you pull up the legs and keep that extra couple of pounds beneath your camera, you’ve made yourself an instant pendulum. In other words, with additional weight concentrated toward the bottom of this rig, the unit is less prone to wiggling and being shaken than the camera alone. Try it sometime. Actually, your tripod should be attached nearly every time you get set up for filmmaking.

Red Movie

Color psychology is the study of hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colours can also enhance the effectiveness of placebos. For example, red or orange pills are generally used as stimulants. Colour can indeed influence a person; however, it is important to remember that these effects differ between people. Factors such as gender, age, and culture can influence how an individual perceives color. For example, males reported that red colored outfits made women seem more attractive, while women answered that the color of a male's outfit did not affect his attractiveness.

Petite France

Petite France is a historic quarter of the city of Strasbourg in eastern France. It is located at the western end of the Grande Île, which contains the historical centre of the city. At Petite France, the River Ill splits up into a number of channels that cascade through an area that was, in the Middle Ages, home to the city's tanners, millers and fishermen, and is now one of Strasbourg's main tourist attractions. Petite France forms part of the UNESCO World Heritage Site of Grande Île, designated in 1988.

Artis Amsterdam

Animals as varied as bees, beetles, mice, foxes, crocodiles and elephants play a wide variety of roles in literature and film.

A genre of films has been based on oversized insects, including the pioneering 1954 Them!, featuring giant ants mutated by radiation, and the 1957 The Deadly Mantis.

Birds have occasionally featured in film, as in Alfred Hitchcock's 1963 The Birds, loosely based on Daphne du Maurier's story of the same name, which tells the tale of sudden attacks on people by violent flocks of birds.

 

Fore more movies of Artis use search

Landscape Turkey

In terms of film production, Turkey shared the same fate with many of the national cinemas of the 20th century. Film production wasn't continuous until around the 1950s and the film market in general was run by a few major import companies that struggled for domination in the most population-dense and profitable cities such as Istanbul and İzmir. Film theatres rarely ever screened any locally produced films and the majority of the programs consisted of films of the stronger western film industries, especially those of the United States, France, Italy and Germany. Attempts at film production came primarily from multinational studios, which could rely on their comprehensive distribution networks together with their own theatre chains, thus guaranteeing them a return on their investment. Between the years 1896–1945, the number of locally produced films did not even reach 50 films in total, equal to less than a single year's annual film production in the 1950s and 1960s. Domestically produced films constituted only a small fraction of the total number of films screened in Turkey prior to the 1950s.

 

 

A Giant Beast

Who
In the film language, the who question is typically answered with the close-up (CU). The primary point of focus in any close-up is the subject's face. This framing typically mimics the experience of what you would see in real life if you were conversing with a person. A close-up is an intimate portrait of someone, more intimate than you would ever get with a stranger. This is part of why fans inherently feel as though they "know" famous actors. (Though the feeling is certainly not mutual!)

Who Are They?: A Close-up gives insight into who a character is.
These shots leave little doubt that one is a no-nonsense sourpuss and the other is a idealistic dreamer.

Close-ups can vary widely based on camera position, lens choice, and other production considerations, but ultimately you can count on such a shot to answer this fundamental question.

If you were to go too long without providing close-ups your audience will lose track of whose story they're following and they will very likely lose interest. This is especially common in complex action scenes where there is so much what and how to convey to move the story forward that it's easy to forget to keep the who present in the viewer's mind. But do so at your own peril. Even the most spectacular battle scene can fall flat if the audience loses track of who it is that's engaged in the fight.

Rain

Throughout the years, filmmakers have invented new ways to communicate with their audiences, and one of them is through camera movement. Before there were dollies, cranes, and gimbals, movies were shot entirely on tripods, so watching events unfold through stationary shots was the norm. However, once the camera became mobile, filmmakers were able to create new words in the cinematic language that give meaning to a shot, like how the dolly-in could signify growing intensity or a how a shaky handheld shot could signify chaos or realism.

Girl in Danger

Cecil Blount DeMille was an American filmmaker. Between 1913 and 1956, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the cinema of the United States and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. He made silent films of every genre: social dramas, comedies, Westerns, farces, morality plays, and historical pageants.

DeMille began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. DeMille's first film, The Squaw Man (1914), was also the first feature film shot in Hollywood. Its interracial love story made it a phenomenal hit and it "put Hollywood on the map. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic, The Ten Commandments (1923), was both a critical and financial success; it held the Paramount revenue record for twenty-five years.