Friday, 9 December 2016
Getting the pictures
Your images are the meat of the video. Good pictures compel viewers attention and are the proof of your story.Good video is a lot of mental work. Try not to rush. Donât be afraid to stop an interview or move to a new position to get a better picture. Since this is for the Web, remember your image will be quite small. This means you need to fill up your frame. Donât have the subject off in the distance. Keep your composition simple and uncluttered. Get your camera in close to the subject -- donot shoot from across the room.Move the camera to follow action or reveal elements. Otherwise, keep your shot steady. Let the action leave the video frame to give you transition points â let subject get up out of the chair or dance out of the picture.
CRYSTAL can be experienced in Eindhoven. The permanent artwork consists out of hundreds of LED-crystals which brighten when people touch them. Designer Daan Roosegaarde calls them “Lego from Mars”. The name refers not only to its futuristic design, but also to its endless potential to play.
The Crystals are placed in a black tunnel at the Natlab, the place where Einstein once worked, where Philips produced its lightbulbs, and the first CD was presented. CRYSTAL is a perfect match, the Crystals are white geometric shapes with LEDs inside. The local floor has a magnetic field which allows the Crystals to light-up. CRYSTAL is therefore one of the latest innovations in light. The artwork CRYSTAL can be experienced at night at Natlab, Kastanjelaan 500 in Eindhoven NL.
Wednesday, 7 December 2016
A 59 year old carpenter recovering from a heart attack, befriends a single mum and her two kids as they navigate their way through the kafkaesque impersonal benefits system. With equal amounts of humour, warmth and despair. Heartfelt and emotional until the end
I, Daniel Blake is a 2016 British-French drama film directed by Ken Loach and written by Loach's frequent collaborator Paul Laverty. The film stars Dave Johns, Hayley Squires, Dylan McKiernan, and Briana Shann.
It won the Prix du public at the 2016 WAMA film festival in Poland.
It won the Palme d'Or at the 2016 Cannes Film Festival l.
Filmmaking – process of making a film. Filmmaking involves a number of discrete stages including an initial story, idea, or commission, through scriptwriting, casting, shooting, editing, and screening the finished product before an audience that may result in a film release and exhibition. Filmmaking is both an art and an industry. Films were originally recorded onto plastic film which was shown through a movie projector onto a large screen (in other words, an analog recording process). The adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the entire process of production, distribution, and exhibition from start to finish.
Tuesday, 6 December 2016
FRAME BY FRAME official trailer from RED REEL on Vimeo.
When the Taliban ruled Afghanistan, taking a photo was a crime. After the regime fell from power in 2001, a fledgling free press emerged and a photography revolution was born. Now, as foreign troops and media withdraw, Afghanistan is left to stand on its own, and so are its journalists. Set in a modern Afghanistan bursting with color and character, FRAME BY FRAME follows four Afghan photojournalists as they navigate an emerging and dangerous media landscape – reframing Afghanistan for the world, and for themselves. Through cinema verite, intimate interviews, powerful photojournalism, and never-before-seen archival footage shot in secret during the Taliban regime, the film connects audiences with four humans in the pursuit of the truth.
Monday, 5 December 2016
Most 2016-era virtual realities are displayed either on a computer monitor, a projector screen, or with a virtual reality headset (also called head-mounted display or HMD). HMDs typically take the form of head-mounted goggles with a screen in front of the eyes. Some simulations include additional sensory information and provide sounds through speakers or headphones. Virtual Reality actually brings the user into the digital world by cutting off outside stimuli. In this way user is solely focusing on the digital content.
Virtual reality environment can be captured using 360° stereoscopic spherical video and 360x360 surround sound from professional VR video cameras. The users can emerge in the virtual reality environment using head-mounted displays.
Sunday, 4 December 2016
In filmmaking, video production, animation, and related fields, a film frame or video frame is one of the many still images which compose the complete moving picture. The term is derived from the fact that, from the beginning of modern filmmaking toward the end of the 20th century, and in many places still up to the present, the single images have been recorded on a strip of photographic film that quickly increased in length, historically; each image on such a strip looks rather like a framed picture when examined individually.
The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.
Friday, 2 December 2016
Manuel is a fictional character from the BBC sitcom Fawlty Towers. Played by Andrew Sachs, he is one of the most iconic characters in British comedy history. He reappeared for a small sketch with John Cleese in We Are Most Amused in November 2008.
Manuel himself appeared on the audio adaptations of Fawlty Towers as a linking narrator, explaining things from his point of view, when the series was released in audio format. The first two episodes released did not feature him at all, as the dialogue was edited and short burst of piano music would indicate a change of scene. However, when the whole series was re-released, they were re-edited with Manuel's linking commentary.
The art form of film is different from painting. Painting is one particular moment in time, frozen. Film is fluid, seeming to move through space and time. So first we had a Painting Design team spent one-year re-imagining Vincent’s painting into the medium of film. These paintings along with the storyboard and Computer Generated Layout Animatic formed the basis on which to plan our live action shoot.
All the characters in Loving Vincent are performed by real actors either on specially constructed sets, designed to look like Vincent’s paintings, or against Green Screens with the Loving Vincent Design Paintings composited in through a live view system on the set.
The live action material was then combined with Computer Animation for elements such as birds, horses, clouds and blowing leaves and composited together with the Design Paintings to create the Reference Material for the Painting Animation.
Thursday, 1 December 2016
A film studio (also known as movie studio or simply studio) is a major entertainment company or motion picture company that has its own privately owned studio facility or facilities that are used to make films, which is handled by the production company. The majority of firms in the entertainment industry have never owned their own studios, but have rented space from other companies.
There are also independently owned studio facilities, who have never produced a motion picture of their own because they are not Entertainment companies or Motion Picture companies; they are companies who sell only studio space.
Dordrecht filmed from the Wijnhaven and Voorstraatshaven canal, which flows into the river Maas. In the background is the Grote Kerk visible and (sailing) boats along the shore. This film from 1910 is coloured by stencilling.
Film from the collection of Cinema Museum (London), restored by EYE Filmmuseum.
Wednesday, 30 November 2016
Evidence is an 8 minute 35mm film authored by Godfrey Reggio, during his term as director of Fabrica - a new school founded by Benetton - and a student collaborator, Angela Melitopulos. the film was shot in Rome during March 1995 and edited by Miroslav Janek, a collaborator of Fabrica, with music by composer Philip Glass.
Evidence looks into the eyes of children watching television - in this case Walt Disney’s "Dumbo". Though engaged in a daily routine, they appear drugged, retarded, like the patients of a mental hospital. Evidence is about the behavior of children watching television - an activity whose physiological aspects have been overlooked in the current controversy surrounding television.
Monday, 28 November 2016
The Heroic Age of Antarctic Exploration was an era beginning at the end of the 19th century and closing with Shackleton's Imperial Trans-Antarctic Expedition, the survivors stepping ashore in Wellington, New Zealand February 9th 1917. Historian Aant Elzinga gives the much later date of 1945, considering World War II to be the turning point in Antarctic research. During this period the Antarctic continent became the focus of an international effort that resulted in intensive scientific and geographical exploration and in which 17 major Antarctic expeditions were launched from ten countries. The common factor in these expeditions was the limited nature of the resources available to them before advances in transport and communication technologies revolutionized the work of exploration. This meant that each expedition became a feat of endurance that tested its personnel to physical and mental limits, and sometimes beyond. The "heroic" label, bestowed later, recognized the adversities which had to be overcome by these pioneers, some of whom did not survive the experience; during this period 19 expedition members died.
The Shining is a 1980 British-American psychological horror film produced and directed by Stanley Kubrick, co-written with novelist Diane Johnson, and starring Jack Nicholson, Shelley Duvall, Danny Lloyd, and Scatman Crothers. The film is based on Stephen King's 1977 novel The Shining.
The initial European release of The Shining was 25 minutes shorter than the American version, achieved by removing most of the scenes taking place outside the environs of the hotel. Unlike Kubrick's previous works, which developed audiences gradually through word-of-mouth, The Shining was released as a mass-market film, initially opening in two cities on Memorial Day, then nationwide a month later. Although contemporary responses from critics were mixed, assessment became more favorable in following decades, and it is now widely regarded as one of the greatest horror films ever made. American director Martin Scorsese ranked it one of the 11 scariest horror movies of all time. Critics, scholars, and crew members (such as Kubrick's producer Jan Harlan) have discussed the film's enormous influence on popular culture
Sunday, 27 November 2016
Video captured by citizens and activists can be instrumental in drawing attention to human rights abuses, calling for investigations and advocating for change. But many filmers want their videos to do more: they want their footage to expose abuse and help bring about justice. However, the quality of citizen video and other content rarely passes the higher bar needed to function as evidence in a court of law.
The Video as Evidence Field Guide provides basic and advanced practices activists can use to increase the likelihood that their footage can serve as evidence in criminal and civil justice processes, for advocacy, and by the media. It also aims to help activists and lawyers better collaborate on capturing and collecting valuable video evidence.
Download the guide for free at http://vae.witness.org/
The avant-garde are people or works that are experimental, radical, or unorthodox, with respect to art, culture, and society. It may be characterized by nontraditional, aesthetic innovation and initial unacceptability, and it may offer a critique of the relationship between producer and consumer.
The avant-garde pushes the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism.
Saturday, 26 November 2016
Fictional film, fiction film or narrative film is a film that tells a fictional or fictionalized story, event or narrative. In this style of film, believable narratives and characters help convince the audience that the unfolding fiction is real. Lighting and camera movement, among other cinematic elements, have become increasingly important in these films. Great detail goes into the screenplays of narratives, as these films rarely deviate from the predetermined behaviours and lines of the classical style of screenplay writing to maintain a sense of realism. Actors must deliver dialogue and action in a believable way, so as to persuade the audience that the film is real life.
In 1888, Van Gogh decided to go south to Arles where he hoped his friends would join him and help found a school of art. At The Yellow House, van Gogh hoped like-minded artists could create together. Gauguin did join him but with disastrous results. Van Gogh’s nervous temperament made him a difficult companion and night-long discussions combined with painting all day undermined his health. Near the end of 1888, an incident led Gauguin to ultimately leave Arles. Van Gogh pursued him with an open razor, was stopped by Gauguin, but ended up cutting a portion of his own ear lobe off. Van Gogh then began to alternate between fits of madness and lucidity and was sent to the asylum in Saint-Remy for treatment.
A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.
A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
Friday, 25 November 2016
Stop motion (hyphenated stop-motion when used as an adjective) is an animation technique that physically manipulates an object so that it appears to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a fast sequence. Dolls with movable joints or clay figures are often used in stop motion for their ease of repositioning. Stop motion animation using plasticine is called clay animation or "clay-mation". Not all stop motion requires figures or models; many stop motion films can involve using humans, household appliances and other things for comedic effect. Stop motion using objects is sometimes referred to as object animation.
Alexander Nevsky (Prokofiev)
The film was the first of Eisenstein's dramatic films to use sound. (The earlier Bezhin Meadow, had also used sound, but production was shut down and most of the finished scenes were destroyed.) The film's score was composed by Sergei Prokofiev, who later reworked the score into a concert cantata. The creation of Alexander Nevsky was a collaboration in the fullest sense of the word: some of the film was shot to Prokofiev's music and some of Prokofiev's music was composed to Eisenstein's footage. Prokofiev viewed the film's rough cut as the first step in composing its inimitable score. The strong and technically innovative collaboration between Eisenstein and Prokofiev in the editing process resulted in a match of music and imagery that remains a standard for filmmakers. Valery Gergiev, the principal conductor of the London Symphony Orchestra, has stated his opinion that Prokofiev's music for this film is "the best ever composed for the cinema".
Thursday, 24 November 2016
Each frame of an extra print of the black-and-white film to be colored was rear-projected onto a sheet of frosted glass, as in rotoscoping. An operator used a blunt stylus to trace the outlines of areas of the projected image that were to be tinted one particular color. The stylus was connected to a reducing pantograph that caused a sharp blade to cut corresponding outlines through the actual film frame, creating the stencil for that color in that frame. This had to be done for each individual frame, and as many different stencil films had to be made as there were different colors to be added. Each of the final projection prints was matched up with one of the stencil films and run through a machine that applied the corresponding dye through the stencil. This operation was repeated using each of the different stencils and dyes in turn.
Wednesday, 23 November 2016
Marketing a film
When a new film is made, it has to be advertised like any other new product, to let people know it exists and to encourage them to go to the cinema to see it.
The advertising of a film is known as film promotion or film marketing and the people who are responsible for this are the distribution company, so–called because they distribute (give out) the films to the cinemas and distribute the promotional material around the country.
The way in which a film is promoted can have a huge effect on whether or not it is successful. Films are expensive to make and if the public do not buy tickets at the box office to see the film, a lot of money will be lost.
Tuesday, 22 November 2016
Crash is a 1996 British-Canadian psychological thriller film written and directed by David Cronenberg based on J. G. Ballard's 1973 novel of the same name. It tells the story of a group of people who take sexual pleasure from car crashes, a notable form of paraphilia.
The film generated considerable controversy upon its release and opened to mixed and highly divergent reactions from critics. While some praised the film for its daring premise and originality, others criticized its combination of graphic sexuality and violence. It premiered at the Cannes Film Festival, where it won the Special Jury Prize, considered the third-most prestigious prize of the festival.
As a photographic print is the positive made from its negative, so also the positive of self-crashing is arranging for a disaster to occur on the highway, and then watching the carnage from a preselected observation post. Disasters other than on the highway may be arranged — catastrophic fires, for example. For those members of the general public who have a touch of sadomasochism in them, disaster as an unrehearsed event is often a large part of the appeal of entertainment stunts and sports, from the circus to stock-car racing.
A three-dimensional stereoscopic film (also known as three-dimensional film, 3D film or S3D film) is a motion picture that enhances the illusion of depth perception, hence adding a third dimension. The most common approach to the production of 3D films is derived from stereoscopic photography. In it, a regular motion picture camera system is used to record the images as seen from two perspectives (or computer-generated imagery generates the two perspectives in post-production), and special projection hardware and/or eyewear are used to limit the visibility of each image in the pair to the viewer's left or right eye only. 3D films are not limited to theatrical releases; television broadcasts and direct-to-video films have also incorporated similar methods, especially since the advent of 3D television and Blu-ray 3D.
Monday, 21 November 2016
PARADISE - A contemporary interpretation of The Garden of Earthly Delights from STUDIO SMACK on Vimeo.
Here’s how the Dutch animators behind this project explain what’s unfolding before your eyes:
[We] cleared the original landscape of the middle panel of Bosch’s painting and reconstructed it into a hallucinatory 4K animation. The creatures that populate this indoor playground embody the excesses and desires of 21st century Western civilization. Consumerism, selfishness, escapism, the lure of eroticism, vanity and decadence. All characters are metaphors for our society where loners swarm their digital dream world. They are symbolic reflections of egos and an imagination of people as they see themselves – unlike Bosch’s version, where all individuals more or less look the same. From a horny Hello Kitty to a coke hunting penis snake. From an incarnate spybot to headless fried chickens. These characters, once precisely painted dream figures, are now digitally created 3D models. All of them have been given their own animation loop to wander through the landscape. By placing them altogether in this synthetic fresco, the picture is never the same. What the animation and Bosch’s triptych have in common is that you’ll hardly be able to take it all in, you can watch it for hours.
Sunday, 20 November 2016
The Filmmuseum is Holland's museum for cinematography. The museum's collection of films covers the whole of the history of cinema from the very first silent films, dating from the late 19th century, up to the latest contemporary digital productions.This internationally renowned collection, to which many Dutch and foreign titles are regularly added, is the source of inspiration for the museum's film programmes, exhibitions and events. Every year, there are major thematic programmes examining the history of film and contemporary cinematographic developments. In addition, the museum organises open-air screenings, festivals, theatrical family shows and retrospectives.The Filmmuseum houses the largest film library in the Netherlands. The museum also acts as distributor of classics and contemporary, independent films.In 2011 the Filmmuseum will be occupying its new premises on the north shore of the river IJ in Amsterdam.
Since before TTIP negotiations began last February, the process has been secretive and undemocratic. This secrecy is on-going, with nearly all information on negotiations coming from leaked documents and Freedom of Information requests.
But worryingly, the covert nature of the talks may well be the least of our problems. Here are six other reasons why we should be scared of TTIP, very scared indeed:
National Health Service
Public services, especially the NHS, are in the firing line. One of the main aims of TTIP is to open up Europe’s public health, education and water services to US companies. This could essentially mean the privatisation of the NHS.
The European Commission has claimed that public services will be kept out of TTIP. However, according to the Huffington Post, the UK Trade Minister Lord Livingston has admitted that talks about the NHS were still on the table.