Rudesheim am Rhein

Rüdesheim lies at the foot of the Niederwald on the Rhine's right (east) bank on the southern approach to the Lorelei. The town belongs to the Frankfurt Rhine Main Region and is one of Germany's biggest tourist attractions. Only Cologne Cathedral draws more tourists from other countries. Making the town worth visiting is, not only the wine or even the Old Town itself, but also the picturesque Rheingau landscape together with the romantic Rhine.

Kochbrunnen in Wiesbaden

Kochbrunnen

The Kochbrunnen fountain on Kranzplatz is not only the symbol of Wiesbaden, but also a place often frequented by the health-conscious. It is Wiesbaden's most famous thermal spring, because this prolific spring emits thermal water said to have a whole series of health benefits.

Funny enough we do have in Europa a sustainably amount of so called Spa-towns. Several german english and french examples can be found on this site.

the source

French impressionism

Experimental film, experimental cinema or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms and alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.

Abel Gance was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage.

In 1920, Gance developed his next project, La Roue, while recuperating in Nice from Spanish flu, and its progress was deeply affected by the knowledge that his companion Ida Danis was dying of tuberculosis;[11] furthermore, his leading man and friend Séverin-Mars was also seriously ill (and died soon after completion of the film). Nevertheless, Gance brought an unprecedented level of energy and imagination to the technical realisation of his story, set firstly against the dark and grimy background of locomotives and railway yards, and then among the snow-covered landscapes of the Alps. He employed elaborate editing techniques and innovative use of rapid cutting which made the film highly influential among other contemporary directors. The finished film was originally in 32 reels and ran for nearly nine hours, but it was subsequently edited down for distribution and it is these shorter versions which have survived

Fish and more

Post-production
Here the video/film is assembled by the video/film editor. The shot film material is edited. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is sought to have a score; sound effects are designed and recorded. Any computer-graphic visual effects are digitally added. Finally, all sound elements are mixed into "stems", which are then married to picture, and the film is fully completed .

Atlantik wall

The Atlantic Wall (German: Atlantikwall) was an extensive system of coastal defence and fortifications built by Nazi Germany between 1942 and 1944 along the coast of continental Europe and Scandinavia as a defence against an anticipated Allied invasion of Nazi-occupied Europe from Great Britain during World War II.

Hitler ordered the construction of the fortifications in 1942. Almost a million French workers were drafted to build it. The wall was frequently mentioned in Nazi propaganda, where its size and strength were usually exaggerated. The fortifications included colossal coastal guns, batteries, mortars, and artillery, and thousands of German troops were stationed in its defences.[a] When the Allies eventually invaded the Normandy beaches in 1944, most of the defences were stormed within hours. Today, ruins of the wall exist in all of the nations where the wall was built, although many structures have fallen into the ocean or have been demolished over the years.

Tarragona clips

Extreme long shot (ELS)
The subject or characters are very much to the background of the shot. Surroundings now have as much if not more importance, especially if the shot is in high-angle. A first way to consider these shots is to say that a shot lends itself to a greater or lesser readability dependent on its type or length. As the camera moves further away from the main subject (whether person or object) the visual field lends itself to an increasingly more complex reading – in terms of the relationship between the main subject and the decor there is more for the spectator's eye to read or decode. This means that the closer up the shot, the more the spectator's eye is directed by the camera to the specified reading.

The fyk

Thousands of films. We all have our favorites. But what is it about a movie that catches our attention, holds us in its cinematic sway? It’s a question that’s endlessly debated. When we got to thinking about a concept for a TV show about film, we considered the subjective nature of the question, “What’s the greatest film ever?”

PUB CRAWL

Pub crawel. from anton withagen on Vimeo.
Nonfiction's specific factual assertions and descriptions may or may not be accurate, and can give either a true or a false account of the subject in question. However, authors of such accounts genuinely believe or claim them to be truthful at the time of their composition or, at least, pose them to a convinced audience as historically or empirically factual. Reporting the beliefs of others in a nonfiction format is not necessarily an endorsement of the ultimate veracity of those beliefs, it is simply saying it is true that people believe them (for such topics as mythology). Nonfiction can also be written about fiction, typically known as literary criticism, giving information and analysis on these other works. Nonfiction need not necessarily be written text, since pictures and film can also purport to present a factual account of a subject.

Weir Fishing

The term "digital storytelling" can also cover a range of digital narratives (web-based stories, interactive stories, hypertexts, and narrative computer games); It is sometimes used to refer to film-making in general, and as of late, it has been used to describe advertising and promotion efforts by commercial and non-profit enterprises.

One can define digital storytelling as the process by which diverse peoples share their life story and creative imaginings with others. This newer form of storytelling emerged with the advent of accessible media production techniques, hardware and software, including but not limited to digital cameras, digital voice recorders, iMovie, Windows Movie Maker and Final Cut Express. These new technologies allow individuals to share their stories over the Internet on YouTube, Vimeo, compact discs, podcasts, and other electronic distribution systems.

Dutch filmtalent

Nomination Committee, view the 250+ entered films. After a rigorous discussion-based selection process the long list and nominations are decided by confidential vote.

All nominated films are then viewed by an independent jury, newly appointed each year, and not involved in the nominations process. This jury, comprised of leading professionals and talent from the British film industry, meet to discuss all the nominated films and the winners are decided by secret ballot. Once these ballots have been counted and validated, the winners are announced at The Moët British Independent Film Awards.

Nina Gantz was born in Amsterdam and grew up in Rotterdam. Her graduation film from the St Joost in Breda Art School, Zaliger, went on to be selected at 37 festivals including the Annecy International Animated Film Festival, Encounters Film Festival and the Sichuan Festival in China where it was awarded the Golden Panda for Best Student Film.

 

Burgundy

The standard pattern for early film studios was provided by the studio which Georges Méliès had built in 1897. This had a glass roof and three glass walls constructed after the model of large studios for still photography, and it was fitted with thin cotton cloths that could be stretched below the roof to diffuse the direct ray of the sun on sunny days. The soft overall light without real shadows that this arrangement produced, and which also exists naturally on lightly overcast days, was to become the basis for film lighting in film studios for the next decade.

Visual effects of all times

In filmmaking, visual effects (abbreviated VFX) are the processes by which imagery is created and/or manipulated outside the context of a live action shot. Visual effects involve the integration of live-action footage and generated imagery to create environments which look realistic, but would be dangerous, expensive, impractical, or simply impossible to capture on film. Visual effects using computer generated imagery have recently become accessible to the independent filmmaker with the introduction of affordable and easy-to-use animation and compositing software.

Sketchbook of Jeroen Bosch

The novelty of realistically moving photographs was enough for a motion picture industry to blossom before the end of the century, in countries around the world. "The Cinema was to offer a cheaper, simpler way of providing entertainment to the masses. Filmmakers could record actors' performances, which then could be shown to audiences around the world. Travelogues would bring the sights of far-flung places, with movement, directly to spectators' hometowns. Movies would become the most popular visual art form.

King and Prince

Celebrity is fame and public attention in the media, usually applied to a person, group of people (celebrity couple, family etc.), or occasionally, to animals or fictional entities. Celebrity status is often associated with wealth (commonly referred to as fame and fortune) and fame can often provide opportunities to make money.

Successful careers in sports and entertainment are commonly associated with celebrity status; political leaders often become celebrities. People may also become celebrities due to media attention for their lifestyle, wealth, or controversial actions, or for their connection to a famous person

Boomerang

Historically, video frames were represented as analog waveforms in which varying voltages represented the intensity of light in an analog raster scan across the screen. Analog blanking intervals separated video frames in the same way that frame lines did in film. For historical reasons, most systems used an interlaced scan system in which the frame typically consisted of two video fields sampled over two slightly different periods of time. This meant that a single video frame was usually not a good still picture of the scene, unless the scene being shot was completely still.

 

Going Round

In filmmaking, video production, and other media, live action refers to cinematography or videography that does not use animation .

As the normal process of making visual media involves live action, the term itself is usually superfluous, but it makes an important distinction in situations in which one might normally expect animation.
The phrase "live action" also occurs within an animation context to refer to non-animated characters

 

Water slides

An amusement park or theme park is a group of entertainment attractions, rides, and other events in a location for the enjoyment of large numbers of people. Amusement parks have a fixed location, as opposed to travelling funfairs and traveling carnivals, and are more elaborate than simple city parks or playgrounds, usually providing attractions meant to cater specifically to certain age groups, as well as some that are aimed towards all ages. Theme parks, a specific type of amusement park, are usually much more intricately themed to a certain subject or group of subjects than normal amusement parks.

The Magical House

Magic is a performing art that entertains audiences by staging tricks or creating illusions of seemingly impossible or supernatural  feats using natural means. These feats are called magic tricks, effects or illusions. A professional who performs such illusions is called a stage magician or an illusionist. Some performers may also be referred to by names reflecting the type of magical effects they present, such as prestidigitators, conjurors, hypnotists, mentalists, or escapologists.

The road to hell

Hieronymus Bosch is perceptive and critical. He takes his own environment on the grain and leaves little on the good fellow Christians. Take the triptych of The Hay Wagon, one of the last panels, painted between 1515 and 1516.

Bosch condemns scrabbling. A wagon full of hay stands for the pursuit of materialism. Devils pull the wagon. He spares no one. Rich and poor, all positions run after them and withdrawn hell. A procession of the pope, the emperor and the king, drunken monks, tooth pullers and Gypsies is tempted. The suffering Christ looks on in the cloud, but nobody except the angel has an eye for him.

Greed, folly and transience seem to overcome, is the message of Hieronymus Bosch. The Spanish King Philip II bought the panel in 1570 for his private collection. Philip was a great lover of Bosch.  Who does not want to see up close this panel? The grabbers?

Followers

Film scores encompass an enormous variety of styles of music, depending on the nature of the films they accompany. The majority of scores are orchestral works rooted in Western classical music, but many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles.