Not that they didn’t have that before. iPhones have been used to make shorts and other types of films before—there are even multiple iPhone film festivals—but what the iPhone 6 offers is what Apple’s Phil Schiller called “technology used by high-end DSLRs” during yesterday’s product announcement. Coupled with the ability to grab 1080p high-definition clips at 60 frames per second, take 240-fps slow-motion shots, provide cinematic video stabilization, and offer up to 128 gigabytes of storage, there’s more than enough oomph in the iPhone 6 for a few takes. It’s the kind of power that could, like other developments in filmmaking technology, give rise to a whole new style of moviemaking.
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the 'golden age' of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most highly acclaimed work. Many British actors have achieved international fame and critical success, including Michael Caine, Sean Connery. The identity of the British industry, and its relationship with Hollywood, has been the subject of debate. The history of film production in Britain has often been affected by attempts to compete with the American industry.
Numerous British-born directors, including Alfred Hitchcock and performers, such as Charlie Chaplin and Cary Grant, have achieved success primarily through their work in the United States.
Dubbing, mixing, or re-recording, is a post-production process used in filmmaking and video production, in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a "dub stage." After Sound Editors edit and prepare all necessary tracks (dialogue, ADR, effects, foley, and music), the dubbing mixer or mixers proceed to balance all of the elements and record the finished soundtrack. "Dubbing" is sometimes confused with automated dialogue replacement (ADR), also incorrectly known as "additional dialogue recording", in which the original actors re-record and synchronize audio segments. Outside of the film industry, the term "dubbing" most commonly refers to the replacement of the voices of the actors shown on the screen with those of different performers speaking another language.
Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action.
A common example is a man walking up to a door and reaching for the knob. Just as his hand touches the knob, the scene cuts to a shot of the door opening from the other side.
Although the two shots may have actually been shot hours apart from each other, cutting on action gives the impression of continuous time when watching the edited film. By having a subject begin an action in one shot and carry it through to completion in the next, the editor creates a visual bridge, which distracts the viewer from noticing the cut or noticing any slight continuity error between the two shots.
A variant of cutting on action is a cut in which the subject exits the frame in the first shot and then enters the frame in the subsequent shot. The entrance in the second shot must match the screen direction and motive rhythm of the exit in the first shot.
In filmmaking, a pick-up is a small, relatively minor shot filmed or recorded after the fact to augment footage already shot. When entire scenes are redone, it is referred to as a re-shoot. In news studios, the term is more commonly called "insert" or "reaction shots". Local news stations send just one remote camera to cover a story. This is called PSC, or Portable Single Camera. After the interview, the subject is then asked to "react to questions" and the camera then takes various shots ex-post-facto. The reactions from angles other than the original shoot are then edited into the final cut.
A character sketch is an abbreviated portrayal of a particular characteristic of people. The term originates in portraiture, where the character sketch is a common academic exercise. Following the translation of Theophrastus's Characters into English, a number of British and American painters attempted to illustrate the "types" of humanity. As late as William Hogarth, portraitists were doing studies of (in his case) Nine heads. The artist performing a character sketch attempts to capture an expression or gesture that goes beyond coincident actions and gets to the essence of the individual.
The on-the-road plot was used at the birth of American cinema but blossomed in the years after World War II, reflecting a boom in automobile production and the growth of youth culture.
