Saturday, 23 August 2014

Czar in Holland

Czar in Holland from anton withagen on Vimeo.
Film in Russia became a staple of fairs or rented auditoriums. After the Lumières came representatives from Pathé and Gaumont to open offices, after the turn of the century, to make motion pictures on location for Russian audiences. Theatres were already built, and film renting distributors had already replaced direct sales to exhibitors, when, in 1908, Alexander Drankov produced the first Russian narrative film, Stenka Razin, based on events told in a popular folk song and directed by Vladimir Romashkov. At the same time as Drankov was making his film, the Moscow cinema entrepreneur Alexander Khanzhonkov began to operate.

In 1907, the journal Kino was first published. Kino was the first Russian periodical devoted to the cinema.

Ladislas Starevich made the first Russian animated film (and the first stop motion puppet film with a story) in 1910 - Lucanus Cervus. He continued making animated films (some of which can now be bought on DVD) until his emigration to France following the 1917 October Revolution. He was decorated by the Tsar for his work in 1911.

Berlin 1900 in color


Berlin 1900 in colour!!!! from anton withagen on Vimeo.
Film colorization or film colourisation (see spelling differences) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, or to modernize black-and-white films, or to restore color films. Examples date from the early 20th century, but colorization has become common with the advent of digital image processing.

Camera nostalgia

Camera nostalgia from anton withagen on Vimeo.

A ciné camera or movie camera takes a rapid sequence of photographs on strips of film. In contrast to a still camera, which captures a single snapshot at a time, the ciné camera takes a series of images, each called a "frame" through the use of an intermittent mechanism.

The frames are later played back in a ciné projector at a specific speed, called the "frame rate" (number of frames per second). While viewing, a person's eyes and brain merge the separate pictures to create the illusion of motion. The first ciné camera was built around 1888 and by 1890 several types were being manufactured. The standard film size for ciné cameras was quickly established as 35mm film and this remains in use to this day. Other professional standard formats include 70 mm film and 16mm film whilst amateurs film makers used 9.5 mm film, 8mm film or Standard 8 and Super 8 before the move into digital format.

The size and complexity of ciné cameras varies greatly depending on the uses required of the camera. Some professional equipment is very large and too heavy to be hand held whilst some amateur cameras were designed to be very small and light for single-handed operation. In the last quarter of the 20th century digital camcorders supplanted film motion cameras for amateurs. Professional video cameras did the same for professional users around the start of the 21st century.

Friday, 22 August 2014

Education programmes

Education programmes from anton withagen on Vimeo.

why film education?

Film is a popular medium for exploring and understanding the world. Before children can even read and write, they have often already discovered the world through the moving image. Understanding the visual language of film has become indispensable in our mediated society. Film also offers many possibilities as a cultural field, because film is also a form of art, entertainment, and cultural heritage. Just like other art forms, film can move, entertain, and get people thinking.

Film education is one of EYE’s main points of focus. With the aim of encouraging a passion for and knowledge of film, by teaching the understanding and use of film, EYE strives to bring everyone in the Netherlands in contact, at least once in his/her life, with the various activities of film education.
As the national film institute and knowledge centre for the film industry, EYE advises other institutions, and also promotes quality, consistency, and variation in what (inter)national film education can offer. EYE Education works on professional development by means of publications, training courses, seminars, and debates, and by bringing education providers into contact with each other.

The man and his imagination

The man and his imagination from anton withagen on Vimeo.

Federico Fellini January 20, 1920 – October 31, 1993) was an Italian film director and scriptwriter. Known for his distinct style that blends fantasy and baroque images with earthiness, he is considered one of the greatest and most influential filmmakers of the 20th century.
The women who both attracted and frightened him and an Italy dominated in his youth by Mussolini and Pope Pius XII - inspired the dreams that Fellini started recording in notebooks in the 1960s. Life and dreams were raw material for his films
Personal and highly idiosyncratic visions of society, Fellini's films are a unique combination of memory, dreams, fantasy and desire. The adjectives "Fellinian" and "Felliniesque" are "synonymous with any kind of extravagant, fanciful, even baroque image in the cinema and in art in general".

La Dolce Vita contributed the term paparazzi to the English language, derived from Paparazzo, the photographer friend of journalist Marcello Rubini (Marcello Mastroianni).

Thursday, 21 August 2014

Intermission

Intermission from anton withagen on Vimeo.

Intermissions in early films had a practical purpose: they were needed to facilitate the changing of reels.
The technology improved, but as movies became progressively longer, the intermission fulfilled other needs. It gave the audience a breather, and provided the theatre management an opportunity to entice patrons to its profitable concession stand. A 1957 animated musical snipe suggested, before the main feature in theatres and during intermission at drive-ins, "let's all go to the lobby to get ourselves a treat".
The built-in intermission has been phased out of Hollywood films, the victim of the demand to pack in more screenings, advances in projector technology which make reel switches either unnoticeable or non-existent and also because in multiplexes, the break gave patrons a better opportunity to sneak away to watch other pictures.

Liberation of Amsterdam

Liberation of Amsterdam from anton withagen on Vimeo.

Sound localization refers to a listener's ability to identify the location or origin of a detected sound in direction and distance.
The sound localization mechanisms of the mammalian auditory system have been extensively studied. The auditory system uses several cues for sound source localization, including time- and level-differences between both ears, spectral information, timing analysis, correlation analysis, and pattern matching.

These cues are also used by animals, but there may be differences in usage, and there are also localization cues which are absent in the human auditory system, such as the effects of ear movements. Animals with the ability to localize sound have a clear evolutionary advantage.

De Ruyter Hero of Holland

De Ruyter from anton withagen on Vimeo.

Birth name Michiel Adriaenszoon de Ruyter Nickname(s) Bestevaêr
Born 24 March 1607
Vlissingen (Flushing), Zeeland, Dutch Republic Died 29 April 1676 (aged 69)
Bay of Syracuse (Fatally wounded by a cannonball during the Battle of Augusta) Buried at Nieuwe Kerk, Amsterdam
Allegiance Dutch Republic
Years of service1637–1676

Sunday, 17 August 2014

Thrilling trailer

Thrilling trailer from anton withagen on Vimeo.

Nosferatu, eine Symphonie des Grauens (translated as Nosferatu: A Symphony of Horror; or simply Nosferatu) is a 1922 German Expressionist Vampire horror film, directed by F. W. Murnau, starring Max Schreck as the vampire Count Orlok.

The film, shot in 1921 and released in 1922, was an unauthorized adaptation of Bram Stoker's Dracula, with names and other details changed because the studio could not obtain the rights to the novel (for instance, "vampire" became "Nosferatu" and "Count Dracula" became "Count Orlok"). Stoker's heirs sued over the adaptation, and a court ruling ordered that all copies of the film be destroyed. However, one print of Nosferatu survived, and the film came to be regarded as an influential masterpiece of cinema.

Biscaya

Biscaya from anton withagen on Vimeo.

A slide-show of our children in law ,based our their Facebook photo's. Grandfather did the adjustments and this arrangement and Iphoto the rest.
Also staring our grandchildren.

Saturday, 16 August 2014

Spa the source for all others

Spa the source for all others from anton withagen on Vimeo.

As the famed site of healing cold springs, Spa has been frequented as a watering-place since as early as the 14th century. Though other sources of healing mineral springs have become famous throughout the world, it is the town of Spa which has become eponymous with any place having a natural water source that is believed to possess special health-giving properties, as a spa. Since the eighteenth century casinos have also been located in the town.
A spa town (also called a bathing-place or simply a spa) is a specialized resort town situated around a mineral spa (a developed mineral spring). Patrons visited spas to "take the waters" for their purported health benefits. The word comes from the Belgian town Spa.


Thomas Guidott set up practice in the English town of Bath, Somerset in 1668. He became interested in the curative properties of the waters and he wrote A discourse of Bathe, and the hot waters there. Also, Some Enquiries into the Nature of the water in 1676. This brought the health-giving properties of the hot mineral waters to the attention of the aristocracy, who started to partake in them soon after.

The term spa is used for towns or resorts offering hydrotherapy which can include cold water or mineral water treatments and hot thermal baths.

Thursday, 14 August 2014

Hollywood

Hollywood from anton withagen on Vimeo.

The History of Hollywood Explained in Less Than 10 Minutes by Ethan Anderton. Source: Cinefix

The world of motion pictures is a place full of wild success stories, and there's no correct way to follow your passion for filmmaking and no guaranteed path to success. Of course, that doesn't mean going to film school doesn't have it benefits. This video is a satisfactory replacement for the kind of education you'll get in film school.

The History of Hollywood in Under 10 Minutes covers a lot of the basics, at least when it comes to the evolution of film as a medium and the world of show business.

Esch sur Sure



Esch sur Sure
from anton withagen on Vimeo.
A web film is a film made with the medium of the Internet and its distribution constraints in mind.[1] This term aims to differentiate content made for the Internet from content made for other media, such as cinema or television, that has been converted into a World Wide Web-compatible format. Web films are a form of new media.

Sketches of Bordeaux

Sketches of Bordeaux from anton withagen on Vimeo.
A webcast is a media presentation distributed over the Internet using streaming media technology to distribute a single content source to many simultaneous listeners/viewers. A webcast may either be distributed live or on demand. Essentially, webcasting is “broadcasting” over the Internet.

The ability to webcast using cheap/accessible technology has allowed independent media to flourish. There are many notable independent shows that broadcast regularly online. Often produced by average citizens in their homes they cover many interests and topics.

Webcasting differs from podcasting in that webcasting refers to live streaming while podcasting simply refers to media files placed on the Internet.

Monday, 11 August 2014

Water from the Ardennes

Water from the Ardennes from anton withagen on Vimeo.
A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Such programs are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema, medium, in fact, where this genre started almost simultaneously alongside television series.

The Living Desert written and directed by James Alger is often considered as one of the first full-length cinematic nature-documentaries. Produced by the Walt Disney Company, it was first released in 1953.

Some documentaries are also presented as television miniseries. The most notable of these are the BBC's 'planet earth' series, written and presented by Sir David Attenborough, whose contribution to conservation is widely regarded, and whose programmes have been seen by millions of people throughout the world.

Hopping Echternach .lux

Hopping Echternach .lux from anton withagen on Vimeo.
The dancing procession of Echternach is an annual Roman Catholic dancing procession held at Echternach, in eastern Luxembourg. Echternach's is the last traditional dancing procession in Europe.

The procession is held every Whit Tuesday around the streets of the city of Echternach. It honours Willibrord, the patron saint of Luxembourg, who established the Abbey of Echternach. Echternach has developed a strong tourism industry centred on the procession, which draws many thousands of tourists and pilgrims from around the world. The procession is inscribed in 2010 as hopping procession of Echternach on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.

Sunday, 10 August 2014

An arsenal of techniques


An arsenal of techniques from anton withagen on Vimeo.
A TED educational lesson.

A cinematic journey through special effects in movies.

Belgium/Luxemburg les Ardennes.


Belgium/Luxemburg Ardennes from anton withagen on Vimeo.

The Ken Burns effect is a type of panning and zooming effect used in video production from still imagery.

The name derives from extensive use of the technique by American documentarian Ken Burns. The technique predates his use of it, but his name has become associated with the effect in much the same way as Alfred Hitchcock is associated with the Hitchcock zoom.

The feature enables a widely used technique of embedding still photographs in motion pictures, displayed with slow zooming and panning effects, and fading transitions between frames.

Saturday, 9 August 2014

Sluice

Sluice from anton withagen on Vimeo.

In cinema, a making-of, also known as behind-the-scenes, the set or on the set is a documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD.

Feature length documentaries on the making of other films has become a film genre in its own right. The making-of film may ultimately be more important than the film itself. In the case of Lost in La Mancha, the making-of video ended up documenting the collapse and abandonment of the feature film it was covering (The Man Who Killed Don Quixote), and ultimately the making-of video was the only part of the production to see a commercial release as a theatrical documentary feature

Friday, 8 August 2014

Scenes of La Roche

Scenes of La Roche from anton withagen on Vimeo.
In Filmmaking and video production, a scene is generally thought of as the action in a single location and continuous time. Due to the ability to edit recorded visual works, it is typically much shorter than a stage play scene. Because of their frequent appearance in films, some types of scenes have acquired names, such as love scene, sex scene, nude scene, dream scene, action scene, car chase scene, crash scene, etc. There is usually an opening scene and a closing scene.

A scene is a part of a film, as well as an act, a sequence (longer or shorter than a scene) and a setting (usually shorter than a scene). While the terms refer to a set sequence and continuity of observation, resulting from the handling of the camera or by the editor, the term scene refers to the continuity of the observed action - an association of time, place or characters. The term may refer to the division of the film from the screenplay, from the finished film, or it may only occur in the mind of the spectator who is trying to close on a logic of action. For example, parts of an action film at the same location, that play at different times can also consist of several scenes. Likewise, there can be parallel action scenes at different locations usually in separate scenes, except that they would be connected by media such as telephone, video, etc.

In contrast, the traditional movie script was divided into acts, but those categories are less frequently used in the digital technology. The scene is important for the unity of the action of the film, while a stage drama is typically divided into acts. The division of a movie into scenes is usually done in the script. Some action scenes need to be planned very carefully.