Hit Record Did you know your iPhone could be your secret weapon for viral hits? My iPhone alone has created videos with over a million views! The twist? Some of our most edited masterpieces flopped, teaching us a vital lesson: Success is unpredictable until you post and learn to see what works for you and your audience. So, grab that phone, clean the lens, and start creating content. No fancy equipment needed, (good lighting helps) just your creativity and authenticity.
Bergen op Zoom is a city in the Netherlands, close to the border with Belgium. It has about 67,000 people living there. The city is famous for its old buildings and history The center of the city has lots of small streets and old buildings. They look like they come from a long time ago! There is a big square called #GroteMarkt with lots of cafes and places to eat. You can also go to parks and nature reserves to have some fun outside. #bergenopzoom is a good place to stay if you want to explore other cities in the #Netherlands or #Belgium.
In the early years of film there were no real cinemas. Film was seen as a fairground attraction. Traveling cinemas traveled from town to village to give performances at annual fairs and fairs. This happened in beautifully decorated tents or in rented café rooms. The first film showings with a traveling cinema were given in the Netherlands as early as 1896 . The entrance fee for these performances was 50 cents for the first tier and 25 cents for the second tier. The audience at the time was shown short films of a boxing match, a dancer with a "vibrating rug" and a real fight in a café.
Life at the castle The castle was the summer residence of the lords and marquises of Bergen op Zoom. Many people lived and worked at the castle, not only the nobles, such as the marquises and their famous warlords from the Middle Ages and the Eighty Years' War, but also their staff and soldiers. All these people have left their mark. Many items have been found in and around the castle, from coins to clothing and from games to cooking utensils.
Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholars describe art cinema as "a film genre, with its own distinct conventions" Art film producers usually present their films at special theaters (repertory cinemas or, in the U.S., art-house cinemas) and at film festivals.
A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape. In the case of motion picture film, the format sometimes includes audio parameters. Other characteristics usually include the film gauge, pulldown method, lens anamorphosis (or lack thereof), and film gate or projector aperture dimensions, all of which need to be defined for photography as well as projection, as they may differ.
straight 8 began in london in 1999. it’s now a global filmmaking challenge every filmmaker should try… • can you make a great film on just one roll of super 8mm? • with no re-takes, no editing, no grade, no post-production at all • you make all your final visuals only with each pull of your camera's trigger • you can’t cheat because we process your film for you • you even make your soundtrack ‘blind’ and we line it up to the first frame of picture • the first time even you see your own film is when the audience does, if it's good enough to be selected* straight 8 is open to anyone anywhere who’s brave enough to try it
Sound recording began as a purely mechanical process. Except for a few crude telephone-based recording devices with no means of amplification, such as the telegraphone,[a] it remained so until the 1920s. Between the invention of the phonograph in 1877 and the first commercial digital recordings in the early 1970s, arguably the most important milestone in the history of sound recording was the introduction of what was then called electrical recording, in which a microphone was used to convert the sound into an electrical signal that was amplified and used to actuate the recording stylus.
When applied to the cinema, mise-en-scène refers to everything that appears before the camera—the sets, props, costumes, actors, and even the lighting. These elements help to express a film's vision by generating a sense of time and space, as well as setting a mood. Mise-en-scène can be used to suggest a character's state of mind, whether that be happy with bright colors, or sad with darker colors. Mise-en-scène also includes the composition, which consists of the positioning and movement of actors, as well as objects, in the shot, as overseen by the director and production designer. The director, cast, and crew (who control props, costumes, lighting and sound) all have input on the mise-en-scène; they work together to make sure it fits the film well before production begins.
Post-production This stage is usually thought of as starting when principal photography ends, but they may overlap. The bulk of post-production consists of the film editor reviewing the footage with the director and assembling the film out of selected takes. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is intended to have a score; sound effects are designed and recorded. Any computer-generated visual effects are digitally added by an artist. Finally, all sound elements are mixed down into "stems", which are synchronized to the images on the screen, and the film is fully completed ("locked").
Most films use either a casting agency or a casting director to find actors to match the roles in the film, apart from the lead actors, who are often chosen by directors and producers. The job of a casting director is to know a lot about a lot of actors, so that they can advise and present to the director the best of the available talent. Casting directors are highly influential and are usually on the project because the director trusts their judgement; they are also the ones who decide who the director does see.
Collage film is a style of film created by juxtaposing found footage from disparate sources (archival footage, excerpts from other films, newsreels, home movies, etc.). The term has also been applied to the physical collaging of materials onto film stock.
Direct-to-video or straight-to-video refers to the release of a film, television series, short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets.
In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point, without the use of dialogue or music. The term often refers to a process, applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, the segregations between recordings of dialogue, music, and sound effects can be quite distinct, and it is important to understand that in such contexts, dialogue, and music recordings are never referred to as sound effects, though the processes applied to them, such as reverberation or flanging, often are.
In the performing arts industry such as theatre, film, or television, casting, or a casting call, is a pre-production process for selecting a certain type of actor, dancer, singer, or extra for a particular role or part in a script, screenplay, or teleplay. This process may be used for a motion picture, television program, documentary film, music video, play, or advertisement, intended for an audience.
8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced perforations. There are also two other varieties of Super 8 – Single 8 mm and Straight-8 – that require different cameras but produce a final film with the same dimensions.
The growing popularity and availability of non-linear editing systems has allowed film-makers and any user of film to shoot Super 8 film but edit in digital. This avoids much of the tedium of handling film and the damage to the film, which can occur when editing the actual film.[original research?] Super 8 films may be transferred (scanned) to digital and then imported into computer-based editing and correction systems for post production. Today's systems can scan Super 8 to 4K digital in a variety of formats.
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.
If Aalsmeer is the beating heart of the international flower trade, then Royal FloraHolland is the main vein. It is the largest marketplace for flowers and plants in the world. You have to get up early to visit this world-famous flower auction in Aalsmeer, but the reward is an unforgettable experience. The earlier you get there, the more you see.
Media literacy is an expanded conceptualization of literacy that includes the ability to access and analyze media messages as well as create, reflect and take action, using the power of information and communication to make a difference in the world. Media literacy is not restricted to one medium and is understood as a set of competencies that are essential for work, life, and citizenship. Media literacy education is the process used to advance media literacy competencies, and it is intended to promote awareness of media influence and create an active stance towards both consuming and creating media. Media literacy education is part of the curriculum in the United States and some European Union countries, and an interdisciplinary global community of media scholars and educators engages in knowledge and scholarly and professional journals and national membership associations..
Filmmaking career: Varda's filmmaking career predates the French New Wave, but contains many elements specific to that movement. While working as a photographer, Varda became interested in making a film, although she stated that she knew little about the medium and had only seen around 20 films by the age of 25. She later said that she wrote her first screenplay "just the way a person writes his first book. When I'd finished writing it, I thought to myself: 'I'd like to shoot that script,' and so some friends and I formed a cooperative to make it." She found the filmmaking process difficult because it did not allow the same freedom as writing a novel; she said her approach was instinctive and feminine. In an interview with The Believer, Varda said that she wanted to make films that related to her time , rather than focusing on traditions or classical standards.
Before crewed flight was common, the term "bird's eye" was used to distinguish views drawn from direct observation at high vantage locations (e.g. a mountain or tower), from those constructed from an imagined bird's perspectives. Bird's eye views as a genre have existed since classical times. They were significantly popular in the mid-to-late 19th century in the United States and Europe as photographic prints.
In cinematography, a low-angle shot, is a shot from a camera angle positioned low on the vertical axis, anywhere below the eye line, looking up.Sometimes, it is even directly below the subject's feet. Psychologically, the effect of the low-angle shot is that it makes the subject look strong and powerful.
Creativity and Style: Your unique perspective distinguishes your work. Cinematic quality isn’t about perfection but about storytelling that resonates. Combining footage, music, editing, and captions crafts your cinematic narrative.
We are all influenced by nature. Every day. Even our minds depend on it. But nature is beginning to disappear from our world bit by bit. Concrete is taking its place and displays are creating a longing for a substitute nature: "The perfect sunset" or "a sparkling sunbeam hitting the surface of the water." The exhibition is a journey around the world! The works were created all over the world: Mexico City, Sydney, New York, Milan, Madrid, Amsterdam and Zurich. In collaboration with 12 international artists, sound and light installations have been created in the 120-year-old tower, creating their own weather system. The artworks react to each other. No two installations are ever the same. All guests enter the exhibition through a black lock. This darkness serves an important purpose: it cleanses our senses of chaotic everyday impressions.
New media art includes artworks designed and produced by means of electronic media technologies. It comprises virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, immersive installation and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts such as architecture, painting or sculpture.
One of the objectives of Julien's work is to break down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting these to construct a powerfully visual narrative. Thematically, much of his work directly relates to experiences of black and gay identity (he is himself gay), including issues of class, sexuality, and artistic and cultural history. Julien is a documentary filmmaker, and his work in this genre includes BaadAsssss Cinema, a film on the history and influence of blaxploitation cinema. In 2023, the Tate Gallery in London held a major retrospective of his work titled What Freedom Is to Me.The exhibition was set to open at the Bonnefantenmuseum in Maastricht.
In intentional camera movement (ICM), a camera is moved during the exposure for a creative or artistic effect. In a sense, ICM is the same effect as (intentional) single-exposition motion blur: in the former the camera moves during exposure, in the second the target moves, but they have in common that there is relative motion between camera and target, often resulting in streaking in the image. Yet, the definitions are better left vague as freedom and creativity is especially relevant to this process.
A special case, called panning, occurs when the camera is moved during exposure while keeping it pointed at a moving target, to hold its projection on the recording medium steady. The stationary environment (usually mainly background, but possibly also some foreground) then is subjected to ICM and appears streaked in the final image. Another special case is that of forward (or backwards) camera movement, typically with the camera focused on the distance. The streaks in the resulting image converge on the central point, giving a suggestion as if it is at the end of a long tunnel. A similar effect can be achieved by changing the focal length of a zoom lens during the exposure.
Continuity editing uses a guideline called the "30-degree rule" to avoid the appearance of jump cuts. The 30-degree rule advises that for consecutive shots to appear seamless and continuous in time, the camera position must vary at least 30 degrees from its previous position. Some schools would call for a change in framing as well (e.g., from a medium shot to a close up). The idea is to convey to the viewer a different point of view on the action but with the timeline of the action being continuous. Generally, if the camera position changes less than 30 degrees, the difference between the two shots is not substantial enough, and the viewer experiences the edit as a jump in the position of the subject rather than a change of point of view, which is jarring.
Social media influencers can be described as opinion leaders who are able to influence the attitudes, behavior, opinions and purchasing decisions of their audience. The information that influencers share with their followers is perceived as reliable, honest and authentic because their audience can identify with them more. Through stories, photos and videos, influencers reveal a great glimpse of their personal lives to their followers. This intimacy contributes to the creation of a parasocial relationship, which means that media users build a kind of false relationship with a media character. This ensures that the audience views the influencer as a kind of friend, making the information obtained more reliable. Influencers are seen as more mundane and authentic than mainstream celebrities, such as Hollywood actors. This difference is attributed to the absence of a cultivated image, a more candid sense of humor, the lack of a filter and risk-taking. Influencers do not stop themselves from showing the less beautiful sides of their lives. If the person realizes that the relationship is one-sided, this can lead to a feeling of disappointment. Parasocial relationships can also become a substitute for relationships in everyday life. Within parasocial relationships there is no social control, so unusual or undesirable behavior is not corrected. In addition, individuals can become emotionally dependent on the person with whom they have a parasocial relationship, which can lead to mental problems.
In film, a sequence is a series of scenes that form a distinct narrative unit, which is usually connected either by a unity of location or a unity of time. For example, a heist film might include an extended recruitment sequence in which the leader of the gang collects together the conspirators, a robbery sequence, an escape sequence, and so on. Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on. The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more acts; acts include one or more sequences; sequences are divided into one or more scenes; and scenes may be thought of as being built out of shots (if one is thinking visually) or beats (if one is thinking in narrative terms).
The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout.
Since the dawn of photography, people have made portraits. The popularity of the daguerreotype in the middle of the 19th century was due in large part to the demand for inexpensive portraiture. Studios sprang up in cities around the world, some cranking out more than 500 plates a day. The style of these early works reflected the technical challenges associated with 30-second exposure times and the painterly aesthetic of the time. Subjects were generally seated against plain backgrounds and lit with the soft light of an overhead window and whatever else could be reflected with mirrors.
Slow cutting is a film editing technique characterized by frequent lengthy shots. Though it depends on context, it is estimated that any shot longer than about fifteen seconds will seem rather slow to many modern-day viewers, especially those who are accustomed to mainstream Western movies, where slow cuts are uncommon. Slow cutting can be used to establish a mood before fast cutting injects energy. Slow cutting may also be used in scenes of calm or reflection, and filmmakers can use slow cutting to slow down the pace, just as the second movement of a symphony or concerto typically does.
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters
A storyboard is a graphic organizer that consists of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence.
In filmmaking, the rough cut is the second of three stages of offline editing. The term originates from the early days of filmmaking when film stock was physically cut and reassembled, but is still used to describe projects that are recorded and edited digitally. The rough cut is the first stage in which the film begins to resemble its final product. Rough cuts are recognizable as a conventional film, but may have notable errors or defects, may not have the desired narrative flow from scene to scene, may lack soundtrack music, sound effects or visual effects, and still undergo many significant changes before the release of the film
A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. From another perspective, an essay film could be defined as a documentary film visual basis combined with a form of commentary that contains elements of self-portrait (rather than autobiography), where the signature (rather than the life story) of the filmmaker is apparent. The cinematic essay often blends documentary, fiction, and experimental film making using tones and editing styles
A remake is a film, television series, video game, song or similar form of entertainment that is based upon and retells the story of an earlier production in the same medium—e.g., a "new version of an existing film". A remake tells the same story as the original but uses a different set of casts, and may use actors from the original, alter the theme, or change the flow and setting of the story, in addition since a remake is released some time after the original work it may incorporate new technologies, enhancements, and techniques that had not existed or was commonly used when the original work was created. A similar but not synonymous term is reimagining, which indicates a greater discrepancy between, for example, a movie and the movie it is based on.
An actor or performer in a film who appears in a non-speaking or non-singing capacity, usually briefly and in the background, without any particular characterization or direct plot relevance, such that viewers are not intended to identify with or consciously focus on the character at all. Extras are often employed in large numbers in war films or epic films, or in scenes depicting crowded city streets, with the sole purpose of creating a sense of scale by populating the scene with activity. They generally have the most minimal roles of any persons considered cast members, and though they are usually required to be paid, they are sometimes not even trained actors.
Kraanspoor (translated as craneway) is a light-weight transparent office building of three floors built on top of a concrete craneway on the grounds of the former NDSM (Nederlandsche Dok en Scheepsbouw Maatschappij) shipyard, a relic of Amsterdam's shipping industry. This industrial monument, built in 1952, has a length of 270 meters, a height of 13,5 meters and a width of 8,7 meters. A street length and width. The new construction on top is the same 270 meters long, with a width of 13,8 meters, accentuates the length of Kraanspoor and the phenomenal expansive view of the river IJ. Fully respecting its foundation, the building is lifted by slender steel columns 3 meters above the crane way, appearing to float above the impressive concrete colossus.
Filmax International is a Spanish motion picture production company and film distributor based in Barcelona, and one of Spain's largest integrated film and television groups. It produced the REC horror series, and owns the Nirvana Films and New World Films International distributors and the Fantastic Factory label, dedicated to create fantasy films in the horror, science fiction and action genres.
Head shots often feature the actor or actress facing off-center. A performer will often have head shots expressing different poses and expressions to give a potential employer an idea of the subject's range of appearances or expressions. These types of head shots are called "looks". It is common for an actor to have different head shots for different roles, but for the most part these consist of a change in attire. The head shots that include a person's shoulders are called "three-quarter" shots. Previously, head shots were often in black-and-white; however, most head shots are now taken in color
Film is considered to have its own language. James Monaco wrote a classic text on film theory, titled "How to Read a Film," that addresses this. Director Ingmar Bergman famously said, "Andrei Tarkovsky for me is the greatest director, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream." An example of the language is a sequence of back and forth images of one speaking actor's left profile, followed by another speaking actor's right profile, then a repetition of this, which is a language understood by the audience to indicate a conversation.
A take is over when the director calls "Cut!" and the camera and sound stop recording. The script supervisor will note any continuity issues, and the sound and camera teams log technical notes for the take on their respective report sheets. If the director decides additional takes are required, the whole process repeats. Once satisfied, the crew moves on to the next camera angle or "setup", until the whole scene is "covered." When shooting is finished for the scene, the assistant director declares a "wrap" or "moving on", and the crew will "strike", or dismantle, the set for that scene.
Making a video requires many stylistic components, so much so that the pre-production phase can become overwhelmingly chaotic without careful planning. It’s not uncommon for filmmakers to get lost when deciding on what visual style they want their video to have. One way filmmakers plan and keep track of their chosen aesthetic are mood boards. You’ve likely heard the term before. Mood boards are used across various industries and for various reasons. But for filmmakers, they can be a huge help when working through pre-production
Audiography,is the audio engineering performed by the sound department of a film or TV production; this includes sound recording, editing, mixing and sound design (formerly sound effects laying) but excludes musical composition, songwriting and choreography. An audiographer is responsible for more aspects of sound in film production than their more specialised Western world counterpart. The responsibilities include production sound recording, dialogue editing, sound supervising, sound effects editing (sound design), ADR editing, Foley editing and sound mixing (dubbing), re-recording and mastering the sound to specified speculation to required media.
On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film
Have a peek inside Krijtmolen d' Admiraal (chalkmill the Admiral) in Amsterdam-Noord (north) and check out what the miller has to do to let the windmill grind stones using wind power. A unique Dutch windmill with a special function.
Miller and script: Harm-Ydo Hilberdink. Camera and editing : Maaike Bosma. Voice-over: Pieter Hettema. Droneshots: Michiel Boesveldt.
The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and the art form that is the result of it.
